Telling the Truth – While We Still Can
Aug21
A teenage Chinese witness to a racially motivated assault is being driven to the police station. A quiet reminder of the dangers of inter-communal suspicion and conflict.
Duration : 0:4:50
Aug18
Two hundred Russia soldiers gang fight at barrack in Moscow suburban district in July 2010. The fight is between Russian soldiers and Dagestan soldiers. Racial Conflict is very serious in Russia army
Duration : 0:2:53
Jul29
Jul26
Watch more Republican Convention coverage at http://www.theyoungturks.com
Duration : 0:13:5
Jun20
http://www.infowars.com/new-film-machete-to-provoke-race-war/
Director Robert Rodriguez’ new film ‘Machete’ has created controversy after a promotional trailer released online makes provoking comments about Arizona– referring to its new immigration laws– before depicted a machete-wielding vigilante who leads an uprising and massacre against Texas authorities. The filmmakers called it a ’special’ Cinco de Mayo message to Arizona, inviting viewers into a violent on-screen race war with red-saturated 70s exploitation violence and endless killing.
Alex Jones explains how the unsettling film, currently in production here in Austin, Texas, had upset two of its crew members, both of whom happened to be hispanic, enough to contact him about its fiery message. Though they could not give details due to their contractual agreements, the industry insiders were concerned that the film had gone too far, voicing their fears that it could cause a cultural backlash and do harm to the otherwise positive image of the hispanic community.
Racial strife is often exacerbated unnecessarily by globalists forces who, though seeking to integrate North America regionally, divide & conquer the population by playing upon ethnic tensions. For a violent film to use such a backdrop to glorify and potentially incite violent attacks on white Americans over the immigration issue is very dangerous, and Alex urges the film’s director to carefully consider the impact such an extreme statement could have. Though the movie screen is an escapist dimension where sex & violence are commonplace, ‘Machete’ ties it into a racially motivated issue spurned by anti-illegal immigration rhetoric.
The trailer insinuates that the film’s lead is hired to assassinate a Texas senator rallying so hard against illegal immigrants that he calls their very presence on United States soil “terrorism.” However, ‘Machete’ realizes he’s been betrayed, and instead set-up as a patsy for a failed-assassination attempt to be blamed on what is termed crudely by the film’s villains to be “Mexicans” and “cucarachas.” From there, he develops a taste for revenge and initiates an out-and-out killing spree, recruiting an angry mob along the way, whose leader decries “We didn’t cross the border, the border crossed us” in downtown Austin. The trailer shows a crowd all holding up machetes in preparation for battle. As the film is not scheduled for release until September, we cannot say whether the film will be as violent and over-the-top as the trailer implies, but if the wary crew members are any indication, this film could be an unwanted wedge of racial anger that no one wants unleashed.
Curiously, FOX, who is ‘Machete’s’ distributor, blasted the film in a May 6 articled entitled, “Violent movie declares war on Arizona for immigration law.” However, the article was pulled and deep-sixed. The URL pulled up a ‘page not found.’ Talking Points Memo blasts the fact in their article, “Fox News Scrubs Article Criticizing Fox’ Robert Rodriguez Film “Machete” as “Racist” & Declaring “War on Arizona.” Clearly, Rupert Murdoch & co. are playing both sides of a potentially explosive cultural-political issue. FOX won a ‘bidding war’ for the film, which grew out of a parody trailer spliced into the 70s-cult throwback “Grindhouse,” a double-header release featuring works by Robert Rodriguez and Quentin Tarantino, both notable for their excessive and stylistic violence.
It has been established that the Ford Foundation and other top organizations have funded and influence groups like Mecha and La Raza. Border enforcement is lax because big businesses take advantage of the low wage labor; meanwhile, the same NAFTA, WTO and CAFTA visionaries ship jobs overseas and gut the industrial base in America. The clash of cultures is then pressured further by fiery rhetoric, perceived job opportunities, language barriers and political issues. For ‘Machete’ to call for such violence and glorify killings in relation to such a sensitive political topic is potentially criminal if it caused people to act out in real life.
So what of the role of cinema and television cultural products in the larger picture of shaping the opinions and habits of our increasingly naive and shallow population? One need only read between the lines, flip through the channels in a critically-evaluating way (rather than a hyponotic, dreamy way) and read the statements of the ruling elite, who have made sport of pushing our buttons.
Duration : 0:7:35
Jun4
Very prophetic filmstrip from 1969, narrated by G. Edward Griffin, about the use of sensitivity training as a tool in social control and engineering.
Links to further information and websites:
Pavlov’s Dogs and American Education
For the past century, behavioral psychology and revolutionary socialism have combined to wreak educational and social havoc.
http://findarticles.com/p/articles/mi_m0JZS/is_20_24/ai_n29474748
Give kids the three R’s, not Character ‘R Us – criticism of character education programs
http://findarticles.com/p/articles/mi_m1571/is_n52_v10/ai_16284367
Subversion Through Perversion
The spreading homosexual degeneracy in our culture is not the result of natural moral decay; it is the manifestation of planned revolution by a subversive elite
http://findarticles.com/p/articles/mi_m0JZS/is_6_21/ai_n25106656
Standing up to one-way Diversity
Pioneer High School in Ann Arbor, Michigan, used its annual “Diversity Week” to promote the homosexual agenda. But resistance resulted in the event’s cancellation
http://findarticles.com/p/articles/mi_m0JZS/is_2_20/ai_n25082277
Duration : 0:10:41
May26
It’s Joshua’s last day in Harlem before leaving for a college in Texas where he has earned a track and field scholarship. He runs joyfully through New York’s central park but his joy ends when he is the victim of a racial slur uttered by a five year old boy that he had befriended. Later, on his way home Joshua is able to work out his anger during a fight with a boy his age. The confrontation releases Joshua’s frustration and after the fight, in a dramatic scene Joshua is able to fly a uniquely designed kite that the boy had built but was unable to get airborne. JOSHUA (15 minutes, black and white, 1969). Joshua is a black boy in Harlem who has won an athletic scholarship that will take him to a Texas college. Somewhat upset at the prospect of leaving behind tile people who love him and entering the strange white world, lie takes off on an energetic last romp in the park. At the zoo he becomes friendly with a small boy who uses the word “nigger” unthinkingly. Now seriously upset and angry, but unable to strike back at the child, Joshua races off again, but crashes into a white boy about his own age. They fight fiercely, although the white boy cannot understand Joshua’s fury. As Joshua calms down, he too sees the pointlessness of the fight and takes off once more. But the white boy calls him back to enlist his aid in getting an elaborate kite off the ground. After Joshua’s running skill has been put to good use to get the kite aloft, the two boys seem to see each other as individuals, rather than as stereotyped foes. Joshua tells its simple story in a charmingly lyrical style that suggests but does not force its basic message that confrontations between blacks and whites can be constructive. This black and white film about Racial Conflict between young people and resolution is simply marvelous! It is also inelligent and touching. It should be shown and discussed at every multi racial school in America. Awards: EFLA (Educational Film Library Association Blue Ribbon Award). Marcus and Emily Williams achievement award for the promotion of racial equality in America. Director: Bert Salzman; Producer: Bert Salzman.
Dear Friends,
The ” Bert Salzman collection of classic 16mm educational films have recently been saved from extinction and are now available for viewing on the Internet Archive. Link: http://www.archive.org/search.php?que…
The films originally made in the early 1970’s as human values films for social study classes include the (Academy Award winner Angel And Big Joe and Geronimo Jones (which premiered at the famous Radio City Music Hall in New York City). In his films Bert Salzman tries to instill hope and love into the hearts of young people. His message always was: “Have hope, go deep into your self; You are more than you think you are!”.
The Internet Academic Archive is now hosting all of the Bert Salzman Collection and links to the entire collection can be found below. If you enjoy these films please forward this letter to your friends especially educators. From the beginning It has always been Bert’s dream, his goal- that his films find their way into every school in this very troubled world and perhaps change it for the better-even in a small way. Bert thanks you in advance for your help in achieving this goal.
Origin Of films: ***
The early to mid-1970s were truly heady times for the educational film world. Fueled by the Johnson administration’s “Great Society” philosophy, educational programs embraced themes of ethnic awareness and diversity, and school districts nationwide began demanding professional quality 16mm films that both encouraged and provoked classroom discussion. Learning Corporation of America, was a prime source for these types of films, and the maker of several of its most profound and dynamic films was Bert Salzman. Salzman was already a successful artist before embarking on a career as a filmmaker. In 1970, Linda Gottlieb of LCA asked him to choose three ethnic groups as focal points for his first LCA films. The films he did for LCA eventually ran to eight, including Oscar-winning Angel & Big Joe. Salzman infused each of these films which he wrote and directed with elements essential to great film of any genre: pathos, passion, and humor. Posted with permission from Bert Salzman.
Duration : 0:15:31
Apr30
Visit http://www.15malaysia.com to watch more videos like this. 15Malaysia consists of 15 short films about Malaysia featuring some of the best known faces in the country including entertainers and politicians.
Duration : 0:0:51
Apr26
Visit http://www.15malaysia.com to watch more videos like this. 15Malaysia consists of 15 short films about Malaysia featuring some of the best known faces in the country including entertainers and politicians.
Duration : 0:4:50
Apr18
June 2008
Photographer Peter Kayafas has long been fascinated by the earthiness of southerners, their hospitality and their hatreds. Peter travels down the South’s roads capturing the contradictions of the region.
Kayafas says, “Robert Johnson, Muddy Waters, John Lee Hooker…I’d say that Highway 61 is one of the most historically relevant roads in America” /due to the number of artists and musicians who’ve travelled along it. Peter and travelling companion Maher uncover many incredible moments, from Big Jack Johnson on his porch playing Catfish Blues, to meeting Joanne Bland who took part in the freedom march led by Martin Luther King in the 1960s.
Produced by ABC Australia
Distributed by Journeyman Pictures
Duration : 0:13:38
BlueQ Theme v 1.0.1 by Travis Quinnelly.
“Race wars! It’s on!” Cartman