Director Robert Rodriguez’ new film ‘Machete’ has created controversy after a promotional trailer released online makes provoking comments about Arizona– referring to its new immigration laws– before depicted a machete-wielding vigilante who leads an uprising and massacre against Texas authorities. The filmmakers called it a ‘special’ Cinco de Mayo message to Arizona, inviting viewers into a violent on-screen race war with red-saturated 70s exploitation violence and endless killing.

Alex Jones explains how the unsettling film, currently in production here in Austin, Texas, had upset two of its crew members, both of whom happened to be hispanic, enough to contact him about its fiery message. Though they could not give details due to their contractual agreements, the industry insiders were concerned that the film had gone too far, voicing their fears that it could cause a cultural backlash and do harm to the otherwise positive image of the hispanic community.

Racial strife is often exacerbated unnecessarily by globalists forces who, though seeking to integrate North America regionally, divide & conquer the population by playing upon ethnic tensions. For a violent film to use such a backdrop to glorify and potentially incite violent attacks on white Americans over the immigration issue is very dangerous, and Alex urges the film’s director to carefully consider the impact such an extreme statement could have. Though the movie screen is an escapist dimension where sex & violence are commonplace, ‘Machete’ ties it into a racially motivated issue spurned by anti-illegal immigration rhetoric.

The trailer insinuates that the film’s lead is hired to assassinate a Texas senator rallying so hard against illegal immigrants that he calls their very presence on United States soil “terrorism.” However, ‘Machete’ realizes he’s been betrayed, and instead set-up as a patsy for a failed-assassination attempt to be blamed on what is termed crudely by the film’s villains to be “Mexicans” and “cucarachas.” From there, he develops a taste for revenge and initiates an out-and-out killing spree, recruiting an angry mob along the way, whose leader decries “We didn’t cross the border, the border crossed us” in downtown Austin. The trailer shows a crowd all holding up machetes in preparation for battle. As the film is not scheduled for release until September, we cannot say whether the film will be as violent and over-the-top as the trailer implies, but if the wary crew members are any indication, this film could be an unwanted wedge of racial anger that no one wants unleashed.

Curiously, FOX, who is ‘Machete’s’ distributor, blasted the film in a May 6 articled entitled, “Violent movie declares war on Arizona for immigration law.” However, the article was pulled and deep-sixed. The URL pulled up a ‘page not found.’ Talking Points Memo blasts the fact in their article, “Fox News Scrubs Article Criticizing Fox’ Robert Rodriguez Film “Machete” as “Racist” & Declaring “War on Arizona.” Clearly, Rupert Murdoch & co. are playing both sides of a potentially explosive cultural-political issue. FOX won a ‘bidding war’ for the film, which grew out of a parody trailer spliced into the 70s-cult throwback “Grindhouse,” a double-header release featuring works by Robert Rodriguez and Quentin Tarantino, both notable for their excessive and stylistic violence.

It has been established that the Ford Foundation and other top organizations have funded and influence groups like Mecha and La Raza. Border enforcement is lax because big businesses take advantage of the low wage labor; meanwhile, the same NAFTA, WTO and CAFTA visionaries ship jobs overseas and gut the industrial base in America. The clash of cultures is then pressured further by fiery rhetoric, perceived job opportunities, language barriers and political issues. For ‘Machete’ to call for such violence and glorify killings in relation to such a sensitive political topic is potentially criminal if it caused people to act out in real life.

So what of the role of cinema and television cultural products in the larger picture of shaping the opinions and habits of our increasingly naive and shallow population? One need only read between the lines, flip through the channels in a critically-evaluating way (rather than a hyponotic, dreamy way) and read the statements of the ruling elite, who have made sport of pushing our buttons.

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http://prisonplanet.tv/

Alex also talks about the latest news with regular guest Mike Rivero, publisher of the popular website WRH and GCN radio host.

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http://prisonplanet.tv/

Alex also talks about the latest news with regular guest Mike Rivero, publisher of the popular website WRH and GCN radio host.

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Paul Joseph Watson

http://www.prisonplanet.com/

http://www.infowars.com/

Thursday, April 22, 2010

A major Anti-Defamation League report goes further than ever before in an effort to purge the Internet of all dissent, listing completely non-violent criticism of Obamacare posted on Internet forums as a reason to conduct a major law enforcement operation against opponents of big government and health care reform.

The ADLs April 2010 report is entitled, Violent Voices: Anti-Government Extremism Takes on New Intensity, and consists largely of lists of comments culled from alternative news websites and forums, as well as Fox News.

During the first few months of 2010, anti-government extremism has taken on a new level of intensity in the United States. The arrests of the Hutaree militia in Michigan illustrate this passion, which exists both within and outside the militia movement. Unfortunately, the Hutaree arrests may come to be seen not as the culmination, but rather as a first step in what may need to become a major national law enforcement operation, states the introduction (emphasis mine).

Such words are chilling bearing in mind that the infamous MIAC report, which listed gun owners, Ron Paul supporters, libertarians and people who fly U.S. flags alongside neo-nazis and terrorists, was partly based on information provided to the Missouri Information Analysis Center by both the ADL and the Southern Poverty Law Center.

According to the ADL, a major law enforcement operation may be needed because Americans are upset that health care reform effort is in fact key to evil efforts to implement a tyrannical government by any means necessary.

While some of the comments listed by the ADL do hint at or call for violence, the organization underhandedly mixes them in with people who are merely expressing their displeasure at the passage of health care, amnesty, or new taxes. The vast majority of comments listed in the report relating to health care have no hint of racism or violence whatsoever.
http://www.infowars.com/adl-calls-for-major-law-enforcement-operation-to-deal-with-obamacare-critics/

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The album received highly positive reviews and was ranked at number eight on Rolling Stone’ list of the 500 Greatest Albums of All Time in 2003.London Calling was a top ten album in the UK, and its lead single “London Calling” was a top twenty single.It has sold over two million copies worldwide,and was certified platinum in the United States.

After recording their 1978 album Give ‘Em Enough Rope in the United States, the band separated from their manager Bernard Rhodes.This separation meant that the band had to leave their rehearsal studio in Camden Town and find another location to compose their music. Drawing inspiration from rockabilly, ska, reggae and jazz,the band began work on the album during the summer of 1979. Tour manager Johnny Green had found the band a new place to rehearse called Vanilla Studios in Pimlico, which was located in the back of a garage.The band quickly wrote and recorded demos, with Jones composing and arranging much of the music and Strummer supplying the lyrics.

In August 1979, the band entered Wessex Studios to begin recording London Calling. The Clash asked Guy Stevens to produce the album, much to the dismay of CBS Records.Stevens had alcohol and drug problems and his production methods were unconventional.While recording he would often swing ladders and throw chairs around the band to create an emotional atmosphere.The entire album was recorded within a matter of weeks, with many songs recorded in one or two takes.

The album’s cover features a photograph of Simonon smashing his Fender Precision Bass against the stage at The Palladium in New York City on 21 September 1979 during the “Clash Take the Fifth” US tour.Pennie Smith, who photographed the band for the album, originally did not want the photograph to be used. She thought that it was too out of focus, but Strummer and graphic designer Ray Lowry thought it would make a good album cover.In 2002, Smith’s photograph was named the best rock and roll photograph of all time by Q magazine, commenting that “it captures the ultimate rock’n'roll moment – total loss of control”.

The cover artwork was designed by Lowry and was a homage to the design of Elvis Presley’s debut album.The cover was named the ninth best album cover of all time by Q magazine in 2001.

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http://prisonplanet.tv/

Alex also talks about the latest news with regular guest Mike Rivero, publisher of the popular website WRH and GCN radio host.

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