Telling the Truth – While We Still Can
Aug1
http://www.infowars.com/
Alex welcomes back to the show Lindsey Williams, author of The Energy Non-Crisis. Williams correctly predicted the fall of oil prices, an effort by the global elite to devalue the dollar and wreck oil producing nations.
Duration : 0:10:56
Jul24
Racist film Machete produced with taxpayer funds
http://www.infowars.com/
http://www.prisonplanet.com/
May 13, 2010
Machete has fallen into controversy, and its still months away from its September release. 20th Century Fox, which won a bidding war to distribute the film, pulled Rodriguez fiery Illegal trailer from the web shortly after its special Cinco de Mayo message created a storm of controversy and fueled attacks, including one from its sister subsidiary Fox News. Fox News, in turn, pulled the critical article from circulation, entitled Violent Movie Declares War on Arizona for Immigration Law.
Worst of all, Robert Rodriguez incendiary race film Machete was made, in part, with help from tax incentives and location access provided by the Texas Film Commission, a division of Governor Rick Perrys Office. A spokesperson from the organization confirmed that Rodriguez has indeed applied for funding.
The film, originally based on a largely satirical mock-trailer inserted into Rodriguez & Taratinos Grindhouse, has expanded into full production, and developed a message that many have criticized as glorifying a race war. Among those critics are two anonymous crew members from the production who happen to be Hispanic that came forward to warn Alex confidentially about the upsetting script. Further, two individuals who were privy to early screenings of Machete have warned that the film is far more racially inflammatory than either the trailer or leaked script have indicated.
By contrast, films like Waco were denied taxpayer-funded resources for fears that it cast Texas in a bad light. Attempting to shed the light of truth on one of Texas most infamous and controversial episodes is bad, but stoking the fires of Racial Conflict somehow does Texas good?
Yet, no issue has been made of using Texas Film Commission resources to fund Rodriguez racist treatise. Why does such a production warrant the support of the people of the State of Texas? Will people standby as as tax breaks and other valuable resources such as shooting access at the State Capitol, which likely required closing it off from the public are poured into the creation of divisive, reductive and ultimately offensive portrayal of Mexicans and Americans alike, whether white, black, brown or otherwise.
In addition to state funds, Robert Rodriguez has long had use of the state & city funded studios based at the former Austin airport. His Troublemaker Studios utilizes the Austin Studios facilities, which is managed by the Austin Film Society. Are racial-revenge fantasies the intended use of such publicly and community supported institutions?
Let the Texas Film Commission and other related entities know whether or not you support taxpayer funds going towards the production of Machete and other films like it:
http://www.governor.state.tx.us/film/
CONTACT:
Mailing Address
P.O. Box 13246
Austin, TX 78711
(512) 463-9200
(512) 463-4114 FAX
film@governor.state.tx.us
http://www.infowars.com/racist-film-machete-produced-with-taxpayer-funds/
Duration : 0:10:43
Jul24
http://www.jordanmaxwell.com/
http://www.infowars.com/
http://prisonplanet.tv/
Alex welcomes back to the show occult researcher, speaker, and radio talk show host Jordan Maxwell.
Duration : 0:10:55
Jul7
London Calling is the third album by English punk rock band The Clash, released 14 December 1979, on CBS Records in the UK and in January 1980 on Epic Records in the United States. The album represented a change in The Clash’s musical style, and featured elements of ska, pop, soul, rockabilly and reggae music. The album’s subject matter included unemployment, Racial Conflict, drug use, and the responsibilities of adulthood.
The album received highly positive reviews and was ranked at number eight on Rolling Stone’ list of the 500 Greatest Albums of All Time in 2003.London Calling was a top ten album in the UK, and its lead single “London Calling” was a top twenty single.It has sold over two million copies worldwide,and was certified platinum in the United States.
After recording their 1978 album Give ‘Em Enough Rope in the United States, the band separated from their manager Bernard Rhodes.This separation meant that the band had to leave their rehearsal studio in Camden Town and find another location to compose their music. Drawing inspiration from rockabilly, ska, reggae and jazz,the band began work on the album during the summer of 1979. Tour manager Johnny Green had found the band a new place to rehearse called Vanilla Studios in Pimlico, which was located in the back of a garage.The band quickly wrote and recorded demos, with Jones composing and arranging much of the music and Strummer supplying the lyrics.
In August 1979, the band entered Wessex Studios to begin recording London Calling. The Clash asked Guy Stevens to produce the album, much to the dismay of CBS Records.Stevens had alcohol and drug problems and his production methods were unconventional.While recording he would often swing ladders and throw chairs around the band to create an emotional atmosphere.The entire album was recorded within a matter of weeks, with many songs recorded in one or two takes.
The album’s cover features a photograph of Simonon smashing his Fender Precision Bass against the stage at The Palladium in New York City on 21 September 1979 during the “Clash Take the Fifth” US tour.Pennie Smith, who photographed the band for the album, originally did not want the photograph to be used. She thought that it was too out of focus, but Strummer and graphic designer Ray Lowry thought it would make a good album cover.In 2002, Smith’s photograph was named the best rock and roll photograph of all time by Q magazine, commenting that “it captures the ultimate rock’n'roll moment – total loss of control”.
The cover artwork was designed by Lowry and was a homage to the design of Elvis Presley’s debut album.The cover was named the ninth best album cover of all time by Q magazine in 2001.
Duration : 0:2:56
Jul7
http://www.infowars.com/
Austin businessman, North American Union researcher, and host of the one hour cable access program Simple Truth, Bob Dacy, who will be in-studio. Alex runs down the important news stories of the day and takes your calls.
Duration : 0:10:55
Jul4
http://www.carrollspaper.com/main.asp?SectionID=1&SubSectionID=1&ArticleID=7451&TM=55111.9
http://www.infowars.com/
The Carroll National Guard unit will train on urban military operations by holding a four-day exercise at Arcadia.
http://www.infowars.com/iowa-national-guard-to-train-for-gun-confiscation/
Duration : 0:10:25
Jun27
London Calling is the third album by English punk rock band The Clash, released 14 December 1979, on CBS Records in the UK and in January 1980 on Epic Records in the United States. The album represented a change in The Clash’s musical style, and featured elements of ska, pop, soul, rockabilly and reggae music. The album’s subject matter included unemployment, Racial Conflict, drug use, and the responsibilities of adulthood.
The album received highly positive reviews and was ranked at number eight on Rolling Stone’ list of the 500 Greatest Albums of All Time in 2003.London Calling was a top ten album in the UK, and its lead single “London Calling” was a top twenty single.It has sold over two million copies worldwide,and was certified platinum in the United States.
After recording their 1978 album Give ‘Em Enough Rope in the United States, the band separated from their manager Bernard Rhodes.This separation meant that the band had to leave their rehearsal studio in Camden Town and find another location to compose their music. Drawing inspiration from rockabilly, ska, reggae and jazz,the band began work on the album during the summer of 1979. Tour manager Johnny Green had found the band a new place to rehearse called Vanilla Studios in Pimlico, which was located in the back of a garage.The band quickly wrote and recorded demos, with Jones composing and arranging much of the music and Strummer supplying the lyrics.
In August 1979, the band entered Wessex Studios to begin recording London Calling. The Clash asked Guy Stevens to produce the album, much to the dismay of CBS Records.Stevens had alcohol and drug problems and his production methods were unconventional.While recording he would often swing ladders and throw chairs around the band to create an emotional atmosphere.The entire album was recorded within a matter of weeks, with many songs recorded in one or two takes.
The album’s cover features a photograph of Simonon smashing his Fender Precision Bass against the stage at The Palladium in New York City on 21 September 1979 during the “Clash Take the Fifth” US tour.Pennie Smith, who photographed the band for the album, originally did not want the photograph to be used. She thought that it was too out of focus, but Strummer and graphic designer Ray Lowry thought it would make a good album cover.In 2002, Smith’s photograph was named the best rock and roll photograph of all time by Q magazine, commenting that “it captures the ultimate rock’n'roll moment – total loss of control”.
The cover artwork was designed by Lowry and was a homage to the design of Elvis Presley’s debut album.The cover was named the ninth best album cover of all time by Q magazine in 2001.
Duration : 0:3:6
Jun20
http://www.infowars.com/new-film-machete-to-provoke-race-war/
Director Robert Rodriguez’ new film ‘Machete’ has created controversy after a promotional trailer released online makes provoking comments about Arizona– referring to its new immigration laws– before depicted a machete-wielding vigilante who leads an uprising and massacre against Texas authorities. The filmmakers called it a ’special’ Cinco de Mayo message to Arizona, inviting viewers into a violent on-screen race war with red-saturated 70s exploitation violence and endless killing.
Alex Jones explains how the unsettling film, currently in production here in Austin, Texas, had upset two of its crew members, both of whom happened to be hispanic, enough to contact him about its fiery message. Though they could not give details due to their contractual agreements, the industry insiders were concerned that the film had gone too far, voicing their fears that it could cause a cultural backlash and do harm to the otherwise positive image of the hispanic community.
Racial strife is often exacerbated unnecessarily by globalists forces who, though seeking to integrate North America regionally, divide & conquer the population by playing upon ethnic tensions. For a violent film to use such a backdrop to glorify and potentially incite violent attacks on white Americans over the immigration issue is very dangerous, and Alex urges the film’s director to carefully consider the impact such an extreme statement could have. Though the movie screen is an escapist dimension where sex & violence are commonplace, ‘Machete’ ties it into a racially motivated issue spurned by anti-illegal immigration rhetoric.
The trailer insinuates that the film’s lead is hired to assassinate a Texas senator rallying so hard against illegal immigrants that he calls their very presence on United States soil “terrorism.” However, ‘Machete’ realizes he’s been betrayed, and instead set-up as a patsy for a failed-assassination attempt to be blamed on what is termed crudely by the film’s villains to be “Mexicans” and “cucarachas.” From there, he develops a taste for revenge and initiates an out-and-out killing spree, recruiting an angry mob along the way, whose leader decries “We didn’t cross the border, the border crossed us” in downtown Austin. The trailer shows a crowd all holding up machetes in preparation for battle. As the film is not scheduled for release until September, we cannot say whether the film will be as violent and over-the-top as the trailer implies, but if the wary crew members are any indication, this film could be an unwanted wedge of racial anger that no one wants unleashed.
Curiously, FOX, who is ‘Machete’s’ distributor, blasted the film in a May 6 articled entitled, “Violent movie declares war on Arizona for immigration law.” However, the article was pulled and deep-sixed. The URL pulled up a ‘page not found.’ Talking Points Memo blasts the fact in their article, “Fox News Scrubs Article Criticizing Fox’ Robert Rodriguez Film “Machete” as “Racist” & Declaring “War on Arizona.” Clearly, Rupert Murdoch & co. are playing both sides of a potentially explosive cultural-political issue. FOX won a ‘bidding war’ for the film, which grew out of a parody trailer spliced into the 70s-cult throwback “Grindhouse,” a double-header release featuring works by Robert Rodriguez and Quentin Tarantino, both notable for their excessive and stylistic violence.
It has been established that the Ford Foundation and other top organizations have funded and influence groups like Mecha and La Raza. Border enforcement is lax because big businesses take advantage of the low wage labor; meanwhile, the same NAFTA, WTO and CAFTA visionaries ship jobs overseas and gut the industrial base in America. The clash of cultures is then pressured further by fiery rhetoric, perceived job opportunities, language barriers and political issues. For ‘Machete’ to call for such violence and glorify killings in relation to such a sensitive political topic is potentially criminal if it caused people to act out in real life.
So what of the role of cinema and television cultural products in the larger picture of shaping the opinions and habits of our increasingly naive and shallow population? One need only read between the lines, flip through the channels in a critically-evaluating way (rather than a hyponotic, dreamy way) and read the statements of the ruling elite, who have made sport of pushing our buttons.
Duration : 0:7:35
Jun20
Alex Jones iPhone App Shoots Up On iTunes Store Chart
http://www.infowars.com/
February 10, 2010
Editors note: 7:30 CST. The app for Alexs radio show has climbed to number 6 at the iTunes Store.
The iPhone application designed for listening to the Alex Jones Show has shot up on the iTunes Store chart listing free apps. On February 10, the app rated number eight on the chart, beating out apps for mainstream and corporate media sources, including MSNBC, the AP, The Wall Street Journal, CBS News, and the Huffington Post
The popularity of the free app demonstrates the growing desire for Alternative News delivered by new technology. In the coming weeks, Alex Jones plans to release more apps for a wide array of mobile and hand-held devices in order to further spread the word.
http://www.infowars.com/alex-jones-iphone-app-shoots-up-on-itunes-store-chart/
Duration : 0:4:23
Jun17
http://prisonplanet.tv/
Alex covers the news of the day including the coronation of Barack H. Obama. Alex will delve into Obama’s inaugural speech and do a detailed analysis. He also takes your calls.
Duration : 0:10:58
BlueQ Theme v 1.0.1 by Travis Quinnelly.